Thursday 7 May 2015

"Bruce Springsteen? Isn't he the American Shakin’ Stevens?"

There is a DJ on a small regional radio station in Wales who owes me thousands of pounds. And I owe him my undying gratitude.
Why? Because this man – I don’t even know his name – introduced me to the music of Bruce Springsteen.
And over the years I’ve bought every record Bruce has made, bought every magazine and newspaper he has appeared in, travelled to a couple of dozen concerts, even driven to Rotterdam to join a special get-together of Springsteen fans.
Hence, the DJ’s debt to me.
But following Springsteen, living through his songs, understanding the many messages of his music, and enjoying his companionship, has changed my life.
So, my debt to the DJ by far outweighs any material debt I may claim from him.
Every morning during my childhood this man played “The River”. And at just about the same time: ten minutes before I headed out to school.
The song mesmerised me. The tune was moving, mournful. But it was the lyrics that drew me in.
This wasn’t just a song. It was a short story. Even as a young teenager – living thousands of miles from Johnstown, wherever that may be – I got it. I identified immediately with the two lives at the heart of the story.
And wondered about the writer too. Who was this man who put words like “construction” and “economy” into a love song? This was unlike any love song I had heard. It was real.
These two people must exist somewhere.
A friend was also getting into Springsteen, through an older brother. I quizzed about him about Bruce.
So far, I’d read one bit of information – from a dubious source.
Smash Hits – yes, I know – had described Springsteen as a kind of “American Shakin’ Stevens”.
Sitting in the science lab at school, ignoring the physics teacher, I repeated this to my friend.
My friend’s face went red. The heat rose through his cheeks. I was afraid his rage would cause the Bunsen burner on the desk in front of us to ignite.
“They don’t know anything,” he shouted, almost falling off the uncomfortable wooden stool they sat us on to keep us awake.
I never bought Smash Hits again.
Born in the USA came out and I bought all the previous albums at the same time. I fell in love with them all, and with The Wild, The Innocent and the E Street Shuffle in particular. I still feel that if I were marooned on a desert island it is the album I would clutch to my chest.
Despite the massive media interest in Springsteen at the time, liking him wasn’t cool. I quickly became known as the Springsteen fan in my school year. The only one.
There was no internet then. No Bruce Buds. Springsteen’s life seemed a world away from mine. I got my gossip from Dan French’s fanzine, Point Blank.
It’s more than thirty years now since I first got into Bruce. He’s my oldest friend.
And every time I hear “The River” it is still as magical, still as affecting, still as powerful.

It’s wonderful how a song can make such a connection… down through the years… across thousands of miles… and into the hearts of so many.